Shakespeare in Loves
Duet for Soprano, baritone, and Baroque Ensemble
A Musical Exploration of Shakespeare’s Plural Loves Through the Sonnets
COMMISSIONED: by Brandywine Baroque, Wilmington DE
PREMIERE: May, 2000, Christ Church Christiana Hundred, Greenville, DE
DURATION: ten minutes
PUBLISHER: All Conrad Cummings works are self-published; contact him here
INSTRUMENTATION: soprano; baritone; baroque flute, violin, and cello; harpsichord
Excerpt from the premiere performance by Brandywine Baroque:
I was thrilled when Karen Flint, director of Brandywine Baroque, suggested this idea – an exploration of Shakespeare’s plural loves through music. And the team was fantastic: extraordinary composer Peter Flint Jr. whose work I’d followed since his student days, and Cleveland Morris, Artistic Director of The Delaware Theater Company, who I’d gone to college with.
The evening was a beauty – sonnet settings by Peter and me interspersed with Frescobaldi Canzonas and framed with elegant context from Cleveland.
These three settings are the ones that I think stand best alone. A reunion in the future to do the whole evening again would be a delight.
—Conrad Cummings
Shakespeare in Loves
Music: Conrad Cummings
Lyrics: William Shakespeare, Sonnets 126, 64, and 19
1. Sonnet 126
O thou my lovely boy, who in they power
Dost hold Time’s fickle glass, his sickle, hour;
Who hast by waning grown, and therein show’st
Thy lovers withering, as thy sweet self grow’st;
If Nature (sovereign mistress over wrack),
As thou goest onwards still will pluck thee back,
She keeps thee to this purpose, that her skill
May Time disgrace, and wretched minutes kill.
Yet fear, her, O thou minion of her pleasure,
She may detain, but not still keep, her treasure!
Her audit (though delayed) answered must be,
And her quietus is to render thee.
2. Sonnet 64
When I have seen by Time’s fell hand defaced
The rich proud cost of outworn buried age,
When sometime lofty towers I see down razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the wat’ry main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay,
Ruin hath taught me thus to ruminate:
That Time will come and take my love away.
This thought is as death which cannot choose
But weep to have that which it fears to lose.
3. Sonnet 19
Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood,
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood,
Make glad and sorry seasons as thou fleet’st,
And do whate’er thou wilt, swift-footed Time,
To the wide world and all her fading sweets:
But I forbid thee one most heinous crime,
O carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
Yet do thy worst, old Time: despite thy wrong,
My love shall in my verse ever live young.
Brandywine Baroque’s premiere performance of “Shakespeare in Loves”
1. Sonnet 126 “Oh Thou My Lovely Boy”
2. Sonnet 64 “When I Have Seen By Time’s Feel Hand”
3. Sonnet 19 “Devouring Time”
For a perusal copy of the score, contact Conrad